Towards a ‘Kapwa’ Theory of Art: Multiplicity in Integrative Contemporary Practices
by Margarity Certeza Garcia
Presented at: Bahaus University Weimar
Masters in Public Arts and New Artistic Strategies
21 February 2011
(What)…is the large percentage of the population of the world who could be categorized as ‘Other,’ to do when attempting to enter the bastions of the art world, other then, at least for women who might be perceived as desirable, take off their clothes; as Guerilla Girls’ sardonically suggested in a series of poster placed in the New York City arts scene in the 1980s. That question, sans the mocking response, (which is both humorous and painful in its stark reality), forms the crux of this paper. What are additional ways for an artist from the non-dominant modality to position themselves and their work? What additional examples exist for coherent practice that acknowledge the multiple possibilities and hybrid and shifting positions of contemporary life? Where do I, as a hybrid Filipino Artist studying in Europe stand in relation to this debate? This essay neither intends to establish a definitive answer to these questions nor to privilege any artistic theory as a response to them. Instead, it represents an examination of the problem itself, followed by a brief expiration of the possibility of multiplicity using alternative theories.